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  • Starting to share poetry again…

    It’s been almost two years since I shared some of my poetry on my blog, which is undeniably sad as it’s still a big part of my spiritual identity, life and general free time! I sadly found myself in a place of huge self doubt and vulnerability about the quality of what I share. I…

  • The music I actually like…

    I think we can all appreciate the genius of the great composers. We understand the amazing subtlety’s and structure that the likes of Beethoven, Mozart and Brahms have engendered through their music. What if, though, the music that truly touches your heart strays from that of the traditional greats. I have felt enormous pressure in…

  • Elgar’s Christmas Greeting

    Elgar is not associated with Christmas in the same way that other English composers are. Through settings of carols by Vaughn Williams, Arthur Sullivan and the wonderful festive contributions by Benjamin Britten we have much to feast on. It appears Elgar is lost for us at Christmas, though in saying this his three choral pieces…

  • Commitment to sound 6- less is more?

    The ‘less is more’ mentality is well documented in our stressed out society, although perhaps not well enough! Just as many religious people talk of there needing to be a balance between action and contemplation, musicians also require a similar balance. Every musician has experienced the seemingly paradoxical rewards from doing less and trying less…

  • A Delayed Beginning- what starting an instrument at the age of 12 was like

    I often think about the time I started learning the cello. I had received a few lessons when I was 8 but quickly decided it wasn’t for me and went back to my imaginary 8 year old world of few anxieties. It was shortly before I turned 12 that a student at my secondary school…

  • Commitment to Sound 5- Is it the instrument?

    This short post is just a reminder really to myself, and maybe others, that it is easy to become very comfortable playing your own instrument all the time. We become accustomed to the nuances of sound it can create, it’s certain strengths and how to play to them. We so often forget to spend some…

  • Commitment to Sound 4- sound in tension?

    I am coming to realise the differences between a sound of monotony and one of nuance often lies in the use of tension and release. First it is important to think about what tension might mean. Tension and release are naturally found in the keys and textures of the music. There are moments in music…

  • Commitment to sound- technique as the foundation for sound

    One of the hardest aspects of sound creation to come to terms with is that a great sound cannot be maintained without an awareness of how to create it physically. I am always tempted to believe that sound should be created naturally and without much thought, but the reality is that we must first search…

  • A Commitment to Sound 2: Finding a Voice

    One of the most natural parts of us is our speaking and singing voice. We shape our phrases and intonation to match the mood and express ourselves in speech. Most importantly, we do this totally subconsciously. To find our voice in playing an instrument means developing an awareness that playing a piece of material, such…

  • A Commitment to Sound 1- Motivated by What?

    This series shows the ups and downs of me having made a commitment to sound. I have spent many years studying the cello, but very little time has been dedicated to the sound I create and how I create it. Because of this I want to make sound, and not success, my new obsession. The…